Set the right mood with your font choose a more flowing font to suggest romance, a whimsical font for humor, and a bold, strong font to create a sense of drama or adventure. Don’t get so creative with fonts that your title and other information is tricky to read. The fonts you select communicate more than the words they spell out, so choose based on the content and tone you’re aiming for. Typography The font for this sci-fi novel is instantly setting the mood, but still totally legible. Book cover by Llywellyn for LIterary Fiction. Make sure it is professional looking.ĭramatic cover design that uses a black and white photo, bold typeface, and shadows to suggest a mystery. Remember, this is not a place to skimp the visual component of your cover is the first thing your potential reader will see, and what they will remember. Use the visual element to create anticipation, a mood, or expectations. It needs to communicate what the book is about while drawing in your reader. Choose a photo, graphic, illustration-or make a statement with a plain color-that will attract your target audience. Of all the different parts of a book cover, this is arguably the most important. Optional elements include the subtitle (if there is one) and photos, background images or graphics. The essential elements of a front cover include title and author name. It has one purpose: to sell the book by intriguing the right readers. The front cover is the first of the physical parts of a book. Book cover by Llywellyn for Busker’s Holiday. – This book cover delivers a “Saul Bass style” for a fun summer read. Not sure the best direction for your book? Check out our post on designing covers for any genre. Or perhaps you’re an author with a brand name, and you really want people to know this is a book by you. If you’re going for mystery, you might want your clever title to dominate, and a vague, shadowy image to support (but not overshadow it). If you want to set a romantic tone, perhaps the main design element should be an image with double meaning. Once you know your message, think about how you can best convey it. What is the one feeling or idea you want to convey? Whatever message you decide to feature, make sure every element from color and image to typeface and text supports it. In order to get the layout right, you need to think about the single message you want your cover design to communicate. Cover design and layoutīook cover design is comprised of text and images. Once you’ve completed your writing and editing and done your research, you are ready to get started on your cover design. Which made you want to read them? Look for themes that your most intriguing research covers share. Note the front cover, back cover, spine, layout, picture, fonts, and other elements of each cover. Before you start on cover design, research 20 to 50 books in your genre, dissecting each cover into parts. Whether you’re a self publishing author or an independent publisher, you need information about what your target audience wants so you make sound, data-driven business decisions. All the parts of a book cover combine to tell one story. There is never a good reason to design the cover before the final draft is finished, because doing so is likely to mean you’ll need to do it again anyway. That’s because almost everything about the anatomy of a book cover is controlled by the final, edited version of the book: the trim size, paper color and number of pages all determine your cover’s dimensions. Cover creation is the very last creative step when publishing a book.
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